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e-Book Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes (North Carolina Studies in the Romance Languages and Literature, 276) epub download

e-Book Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes (North Carolina Studies in the Romance Languages and Literature, 276) epub download

Author: David LeHardy Sweet
ISBN: 0807892815
Pages: 320 pages
Publisher: University of North Carolina at Chapel Hill Department of Romance Studies (December 15, 2003)
Language: English
Category: History & Criticism
Size ePUB: 1365 kb
Size Fb2: 1318 kb
Size DJVU: 1726 kb
Rating: 4.3
Votes: 445
Format: lit mobi docx txt
Subcategory: Literature

e-Book Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes (North Carolina Studies in the Romance Languages and Literature, 276) epub download

by David LeHardy Sweet



This book examines poetic adaptations of painterly techniques in works by writers such as. .

This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara . Published by: University of North Carolina Press, University of North Carolina at Chapel Hill for its Department of Romance Studies.

Savage Sight/Constructed Noise book

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Book DescriptionThis book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara .

Book DescriptionThis book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery-all chosen both for the experimentalism of their poetry and fo.

This book examines poetic adaptations of painterly techniques in works . Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes. By David LeHardy Sweet

This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, André Breton, Frank O'Hara . Save 40% on Religious Studies and other print books with Discount Code 01REL40. Save 40% on Religious Studies and other print books with Discount Code 01REL40! (Details). By David LeHardy Sweet. 320 p. 6 x 9. Paperback ISBN: 978-0-8078-9281-7 Published: December 2003.

struct./0807892815

University of North Carolina at Chapel Hill Department of Romance Studies.

University of North Carolina at Chapel Hill Department of Romance Studies. ENG. Number of Pages. We're committed to providing low prices every day, on everything.

This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States.

Savage Sight, Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-gardes. p. 114. ISBN 978-0-8078-9281-7. Retrieved 12 November 2018. Norton Simon Museum. Bray, . Gibbons, . McHale, B. (2012). The Routledge Companion to Experimental Literature. Routledge Literature Companions Series.

French poetry Apollinaire, Guillaume Reverdy, Pierre Breton, André O'Hara, Frank Ashbery, John Art and literature Avant-garde. No categories specified (categorize this paper). References found in this work BETA.

2280 RUR. Turning Right. 1410 RUR. Barbaros – Spaniards and Their Savages in the Age of Enlightenment.

This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery--all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States. Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes.