» » Evangelical Disenchantment: Nine Portraits of Faith and Doubt
e-Book Evangelical Disenchantment: Nine Portraits of Faith and Doubt epub download

e-Book Evangelical Disenchantment: Nine Portraits of Faith and Doubt epub download

Author: David Hempton
ISBN: 0300140673
Pages: 256 pages
Publisher: Yale University Press; 1 edition (December 9, 2008)
Language: English
Category: Humanities
Size ePUB: 1623 kb
Size Fb2: 1276 kb
Size DJVU: 1258 kb
Rating: 4.6
Votes: 816
Format: txt docx azw mbr
Subcategory: Other

e-Book Evangelical Disenchantment: Nine Portraits of Faith and Doubt epub download

by David Hempton



Mobile version (beta).

Mobile version (beta). Evangelical Disenchantment: Nine Portraits of Faith and Doubt. Download (pdf, 955 Kb) Donate Read. Epub FB2 mobi txt RTF.

Evangelical Disenchantment book. 'A strange thing h "For all the well-known and oft debated problems associated with reconciling faith and science, the ability to reconcile artistic creativity with Christian orthodoxy has proved to be a much bigger stumbling block for the evangelical tradition. 'I beleive in the same manner to this moment: and I moreover believe that any system of religion that has anything in it that shocks the mind of a child, cannot be a true system. quoting Thomas Paine, 33).

Request PDF On Mar 1, 2011, Timothy T. N. Lim and others published Evangelical Disenchantment . L'A. propose une analyse du portrait du roi David dans la tradition des recits prophetiques islamiques (qisas al-anbiyā)

L'A. propose une analyse du portrait du roi David dans la tradition des recits prophetiques islamiques (qisas al-anbiyā). Son intention est de montrer qu'une connaissance exacte des vies des messagers de Dieu est fondamentale pour une bonne comprehension de la foi. Le recit de la vie du roi David qui sert de reference a l'A. est celui d'Alī Ibn Asākir (1105-1176) et son Histoire de Damas.

David Hempton's Evangelical Disenchantment is a lucidly written and riveting narrative of nine evangelical men and women who left the faith in which they once believed and were nurtured. The strengths of the books are its sensitive and sympathetic treatment of its subject matter and its attention to and appreciation of the complexity of the issues it addresses. Hempton never loses sight of the humanity of his subjects. This is intellectual history at its best.

In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical . 1 Introduction Evangelicalism and Disenchantment.

In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author recounts the faith journeys of nine creative artists, social reformers, and public intellectuals of the nineteenth and twentieth centuries, including such diverse figures as George Eliot, Elizabeth Cady Stanton, Vincent van Gogh, and James Baldwin.

Evangelical Disenchantment. Nine Portraits of Faith and Doubt. Hempton's book is not a simple story of disenchantment as linear progress toward enlightenment

Evangelical Disenchantment. David Hempton's Evangelical Disenchantment is a lucidly written and riveting narrative of nine evangelical men and women who left the faith in which they once believed and were nurtured. Hempton's book is not a simple story of disenchantment as linear progress toward enlightenment. It is a story of tragedy and disappointments, gain and loss, with broken relations and new friendships.

Winner Description: Hempton, David; Yale, 2008. What type of media is this winner?: Book. Winner Detail Create Date: Monday, January 24, 2011 - 02:58. Title of a book, article or other published item (this will display to the public): Evangelical disenchantment: nine portraits of faith and doubt. ISBN of the winning item: 9780300140675.

Hempton’s aim is straightforward: This book is about a collection of energetic and talented historical figures who once had close encounters with various species of evangelical Christianity, but who did not remain in that tradition

Hempton’s aim is straightforward: This book is about a collection of energetic and talented historical figures who once had close encounters with various species of evangelical Christianity, but who did not remain in that tradition. The nine figures he highlights are prominent indeed: novelist George Eliot, ovocateur Francis Newman, jack-of-all-reforms Theodore Dwight Weld, a trio of early feminists (Sarah Grimké, Elizabeth Cady Stanton and Frances Willard), artist Vincent van Gogh and writers Edmund Gosse and James Baldwin.

бесплатно, без регистрации и без смс. In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author.

Evangelical Disenchantment: Nine Portraits of Faith and Doubt. New Haven, CT: Yale University Press, 2008. Curtis J. Evans, "David Hempton, Evangelical Disenchantment: Nine Portraits of Faith and Doubt," The Journal of Religion 90, no. 4 (October 2010): 575-577.

In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author recounts the faith journeys of nine creative artists, social reformers, and public intellectuals of the nineteenth and twentieth centuries, including such diverse figures as George Eliot, Elizabeth Cady Stanton, Vincent van Gogh, and James Baldwin. Within their highly individual stories, Hempton finds not only clues to the development of these particular creative men and women but also myriad insights into the strengths and weaknesses of one of the fastest growing religious traditions in the modern world.

 

Allowing his subjects to express themselves in their own voices—through letters, essays, speeches, novels, apologias, paintings—Hempton seeks to understand the factors at work in the shaping of their religious beliefs, and how their negotiations of faith informed their public and private lives. The nine were great public communicators, but in private often felt deep uncertainties. Hempton’s moving portraits highlight common themes among the experiences of these disillusioned evangelicals while also revealing fresh insights into the evangelical movement and its relations to the wider culture.